Allowances for vulnerability, age, a virus, shared animality, all tender under the skin, all drawn large in the glory of a bird caged in a cage in a cage of a drawn jungle, stealing the show where veganism is normalcy not madness.
Category: Readings
Alba de Céspedes 1952 Forbidden Notebook (Pushkin Press)
Inclining ‘to forget what we’ve said or done in the past’ to dodge ‘the obligation to remain faithful’ to such declarations (47). Or writing towards truths, including the difficulty in understanding ‘what is kindness and what is ruthlessness’ in our lives (131).
Laura Jean McKay 2023 Gunflower (Scribe)
A barrage of story worlds crowned by King. A gnarl of a roo watching a rival ‘perfuming the whole paddock’ (235). Death ready, catching him, he will fall and fight to become more, together with kin. Politics of all that is animal.
Sarah Holland-Batt 2022 The Jaguar (UQP)
How to write such a book and not dissolve? How to read such a book and be able to respond to what lies at its core, the beauty, the ravaging relations. I am prey, this work hunt me down, jags me raw.
Mary Oliver 2017 Devotions (Penguin Press)
Epiphanies, familiar and specific to each moment. Decades devoted to staying close, staying quiet, opening to the sweep-through of awe. The slip of black snakes, the sniff of a doe sensing the life of her fawn. A call to meditate, to drift.
Jennifer Neal 2023 Notes on her Colour (Penguin Random House)
A sisterly recommendation, this book that bursts with the colour of music. Thinking through notes and passing the harms white culture can do. Tensions between mother and daughter and masculinist pain and the liberation of women free to play their own tune.
Ruth Ozeki 2021 The Book of Form and Emptiness (Viking)
Things chatter all the time, and this book that takes that truth seriously, takes me where I want to go, takes as a fungi the vibrant DNA, of books, books that they join with readers, becoming part of a greater imaginative body.
Ellen van Neerven 2020 Throat (UQP)
This:
‘Gama yarga
why you keep me awake
is to teach me I am not alone
Guwany
why you keep me awake
is the night like day to you
Gibam garandalehn
why you keep me awake
what am I still to do’
(101)
Angie Cruz 2022 How Not to Drown in a Glass of Water (Thorndike Press)
Cara Romera is perfectly flawed. ‘Look, I committed some errors.’ (!85). Her voice rings clear as a bell, and her heart is just as strong. Fills out government forms as they deserve. Dream neighbour if you’re not possessive of your loved ones.
Jennifer Egan 2022 The Candy House (Gale)
A tight-woven ‘unruly load’ (286). Life as data, written here through different prismatic perspectives that cohere into masculinist power. Quantifiable memory, packaged into commodities to suit a market that never stops reinventing. What gets forgotten, what gets remembered in the ‘memorevolution’ (281).