Gothic Snakes (2024)

This chapter is part of an ongoing study of snake–human relations that is reorienting me from the harms of ophidiophobia. All through my childhood I was terrified of snakes. This culturally inherited fright led me to lead others to snake killings.

Detail from artwork by Tessa Laird 2024

The Routledge Companion to Gender and Animals, edited by Chloe Taylor, Routledge.

Snake Church (2022)

Snake Church is a home-grown kookaburra-led cultural experiment. My scattered field notes, moments-in-time reports, begin with the first movements of spring, when the lush grass of unmown areas swallows my feet, then my knees. Snake Church finishes, for this paper at least …

Animal Studies Journal. Flourishing Animals. Vol. 11, no. 1, 2022.

Meeting Selena (2022)

Spring, well over a decade ago. I head up the rise before the fruit trees as a tiger snake moves across the path made by my regular round of the tree paddock, a cherished place transformed more than ten years before this … 

Meanjin, Winter, 2022. (Image: Meanjin)

The Blue Case (2021)

This work is a case of a worlding with every wording, where material textuality creates a poetic space for thick description that helps me see the world as textual material. A thing, the blue case, with a bare handle on itself, offers…

Text Journal Issue 61, 2021 (Image: Text Journal)

Animal Visions: Posthumanist Dream Writing (2019)

Ideas of human superiority are embedded in the cultural model of dominion that patterns most human societies at this historical moment. This limited anthropocentric thinking has been instrumental in brutal injustices against animals of all species, humans included, especially over the past …

Palgrave Studies in Animals and Literature, Palgrave Macmillan (Image: Getty)