A tight-woven ‘unruly load’ (286). Life as data, written here through different prismatic perspectives that cohere into masculinist power. Quantifiable memory, packaged into commodities to suit a market that never stops reinventing. What gets forgotten, what gets remembered in the ‘memorevolution’ (281).
Author: Sue Hall Pyke
Julie Otsuka 2022 The Swimmers (Random House)
A cool refreshing entry up and down the black lines into the cruel forgetting times. A toe dip then a drowning for writers with mothers they love, mothers who love to talk the past. ’You broke her heart. And you wrote’ (213).

Hayley Singer 2023 Abandon Every Hope (Upswell)
This is nothing but the story of how it is, the work of ‘meat-speak’ (18). This is must-speak to the atrocity of the acceptable, laid out in ‘tiny pieces of glass’ (81) splat, in the face of such violent lack of outrage.

Gregory Day 2018 A Sand Archive (Pan Macmillan)
Grasses as invasive as rabbits, blackberries (246). Victoria’s southwest coast, held down. Paris, uprisings. A poetic engineer wracking the ‘violence of excessive infrastructure’ (263). The truth: ‘as we attempt to rectify our old mistakes we are destined to make new ones’ (299).

Rachel Cusk 2021 Second Place (Faber and Faber)
Annie Dillard 1974 (1999) Pilgrim at Tinker Creek (Harper Perennial)
Eda Gunaydin 2022 Root & Branch (Newsouth)
The heartbreak, power and music in these carefully shaped essays of class oppression layered with the barbs of racism and spiked with a fraught mother-daughter relationship. Tender humour and sometimes just perfect oneliners. Yes, beer is the ‘missionary position of beverages’ (68).

Snake Church (2022)
Snake Church is a home-grown kookaburra-led cultural experiment. My scattered field notes, moments-in-time reports, begin with the first movements of spring, when the lush grass of unmown areas swallows my feet, then my knees. Snake Church finishes, for this paper at least …

Veronica Gurrie 2022 Black and Blue (Audiobook)
This writing style has the severity and graphic exactitude of a police report, a litany of crimes that weigh into a crushing racist violence where generations of white indifference and cultural theft form aching chasms bridged by families held together by story.

Meeting Selena (2022)
Spring, well over a decade ago. I head up the rise before the fruit trees as a tiger snake moves across the path made by my regular round of the tree paddock, a cherished place transformed more than ten years before this …


